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Portuguese Tiles and the Legacy of Time

Portuguese tiles (azulejos) originate from ceramic decoration developed in Egypt and brought to the Iberian Peninsula by the Arabs during the 13th century. The word azulejo itself comes from the Arabic term al-zulaich, meaning “small polished stone.” Initially, this “polished stone” referred to small fragments broken from a larger piece, with irregular shapes. Once introduced in Spain and Portugal, this practice evolved significantly, becoming simplified, standardized, and adapted to Western styles. The first Portuguese tile workshops date back to the early 16th century, based on the Moorish technique and later developing into the faience technique, which was derived from Italian majolica.

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Graham, Classical, Soul And Movement

The Graham technique was created and developed in the 20th century by the American dancer and choreographer Martha Graham over her 70 years in the business. Like Maria Callas in opera, Martha Graham imprinted on dance the break with the decorative movements of Classical Ballet, that search for aesthetics and perfection for the sake of mere entertainment, born in the courts of Italian Renaissance of the 16th century. Instead, Martha explored the pure origin of movement, the relationship of the human body with the ground that supports and propels it through the surrounding air, within breathing analogy, seeking dance as a profound expression…

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